This is such an appropriate way to celebrate Paddy & his passions. https://t.co/pYMu7oFbta
Chair - David Taylor
David is sadly not a musician, yet.....
He has worked in management in a number of venues: Warwick Arts Centre, Eden Court Theatre, Cumbernauld Theatre and the Tron Theatre. He then went on to fulfil a range of roles at the Scottish Arts Council and Creative Scotland (CS), including Director of Performing Arts and Head of Strategic Projects. He represented CS on the Scottish Government's Traditional Arts Working Group, and chaired the CS Traditional Arts Advisory Panel for four years. He has an MA in Philopspy and English Literature, a BA in Art History and is studying for an MA in Creative Writing. Now retired, and when not listening to Traditional music, David likes cycling and fly fishing.
Secretary - Richard Ward
Richard is a retired solicitor living in Aberdeenshire.
He was until recently chair and is now vice-chair of Scottish Culture and Traditions (SC&T). “I play the guitar and sing and was in a ceilidh band for over 20 years. I have been involved with SC&T since its inception in 1997, initially as a student and later as a board member. I joined the board of the TMF at the same time as I became chair of SC&T in 2010. My legal background enabled me to oversee the establishment of both organisations as Scottish Charitable Incorporated Organisations. I have been privileged to be able to use my legal and administrative experience to contribute to an organisation which emphasises enjoyment of learning and playing with like-minded people. That’s really what it’s all about!”
Treasurer- Kay Thomson: Chair TMSA. Further information to follow.
Carol is Founding Director of Live Music Now Scotland and Live Music Now International Development (UK).
Live Music Now works with emerging artists, widening access to high quality live music across a range of genres. Since the scheme started in Scotland in 1984, with classical musicians, she has driven the development of recruiting traditional musicians who now make up 40% of the current roster of classical, traditional, rock/pop, jazz and world ensembles. She is also a freelance music journalist and Creative Scotland Peer Reviewer. Carol is a Governor of the Royal Conservatoire of Scotland, Board Director of the Association of British Orchestras and the Traditional Music Forum and was a founding a member of the Advisory Council of the Creative Industries Federation. Carol was awarded an MBE for services to music in the 2015 New Year Honours.
Christine is a singer and educator.
"Traditional music means fantastic stories and tunes. History, social justice, reflections, and life lessons are all captured inside our songs, whether in old bothy songs and ballads or those contemporary songs which cover rich emotional and nuanced ground. Some of it is about arranging and performing on a stage, some about listening and sharing in a session or house ceilidh. In the end, it’s all about our experiences as people, our individual and shared identities. I sing, accompanying myself on guitar and piano/keyboard. I can knock something musical out of some instruments, if required- dulcimer, clarsach, percussion! I’ve worked and toured extensively as recording artiste since the 80s,(Janet Russell, Chantan, Calluna, Sinsheen) and taught teenagers at NCETM (Plockton) for almost a decade. Currently an educator and freelance singer/ musician, I am fortunate to work and gig with many of the top singers and musicians in our country. I’m a vocal coach (ADVS), a contractor in schools and community projects (Ceilidhmakers) I facilitate groups with dementia (Living Voices), teach community singing groups (Kist o Sangs). I work alongside an Alexander Technique practitioner (Singing for Delight). I recently graduated with a Masters in Ethnology and Folklore (MLitt) , University of Aberdeen, Elphinstone Institute, writing on South Ronaldsay Boys Ploughing Match, Orkney. I have broad interests in dancing, theatre, art, culture, walking, islands and general craic. www.christinekydd.com
Dr Joshua Dickson
Joshua is Head of Traditional Music at the Royal Conservatoire of Scotland.
Born and raised in Alaska, he arrived in Scotland in 1992 to study Scottish Gaelic at the University of Aberdeen (MA, 1996). He then undertook doctoral research in the history of the piping tradition of the southern Outer Hebrides at the School of Scottish Studies, University of Edinburgh (PhD, 2001). Josh is a piper, having performed publicly in the contemporary Gaelic music scene with Na Trì Seudan and in Allan MacDonald’s award-winning 2004 Edinburgh Festival recital series, From Battlelines to Barlines.
Iain plays the fiddle and teaches.
His first traditional tunes were learned from his Dad at an early age. Stirling Strathspey and Reel Society was another early influence as was competing in the Mod. Between 1990-1995 he took on and developed the Glasgow Fiddle Workshop from a small group meeting in his house to a broad range of classes operating in central Glasgow. He’s been actively involved and supportive of the Feisean movement for almost 30 years. He was principal fiddle teacher in the Scottish Music Department of the Royal Conservatoire of Scotland between 1995-2005 before being appointed Head of Instrumental Music for the Scottish Borders Education Authority until 2011. He is now Music Director at the Merlin Academy of Traditional Music in Melrose. Being on the TMF board provides an opportunity to put something back into a music tradition that he cares deeply about.
Prof. Ian Russell
Ian is a researcher, singer, musician and festival director, who champions the local traditions of North East Scotland.
Since 1969 he has conducted extensive fieldwork into the singing traditions of South Yorkshire and Derbyshire, especially Christmas carolling. Recent research has focused on the traditional culture of Aberdeenshire, including singing and instrumental traditions. Ian is an Emeritus Professor at the University of Aberdeen’s Elphinstone Institute and has written and edited several books on folk and traditional music. He founded the North Atlantic Fiddle Convention (NAFCo) in 2001, the Traditional Singing Weekend at Cullerlie in 2000, and the Button Boxes and Moothies festival in 2003.
Katch Holmes is one of the directors of the Knockengorroch World Ceilidh music festival in Dumfries and Galloway .
She organised mulit-arts project The Droving Project, further music events and recently a piece of Arts and Humanities Research Council research about ‘folk' music and participation. Her love of traditional music began in the 90s when she picked up a tin whistle. ‘I got involved with TMF when I first attended an AGM in 2012. Traditional music for me is the necessary link between past and future. I see it as constantly evolving, expanding, involving all generations, copious amounts of creativity and differing interpretations. I am also fascinated with how music and music traditions travel across borders, cultures and countries.’
Andrew Bachell: Organiser, Blackford Fiddlers, Perth and Kinross. Further information to follow.
David Cunningam: Director, Thane Multimedia, Cupar, committee member Nat. Assoc. of Accordion and Fiddle Clubs
Eilidh Mackenzie: Education Manager, Fèisean nan Gàidheal
Executive Officer: David Francis e: email@example.com
Membership and Communications: Ellie Logan e: firstname.lastname@example.org
Visit our Resources section for documents relating to the TMF's governance.